Alain Resnais Matthew OmastaAlain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the
the images
This book focuses in particular on the formation and application of Raymond Williams's cultural-materialist methodology to society and politics
who were among the most remarkable of the radical groups to emerge during the English Revolution of 1640-60
students working on alternative or national cinema or for all those who love Persian cinema and wish to learn more
Transition TraditionWe usually think of women as the victims of pornography rather than its consumers
in a world riven by conflict
economic globalisation and increasing regional and transnational governance
specifically regarding the human life cycle and human relationships to time
The list of contributors is impressive and quite consciously eclectic
The book tells a regional and international history of the Australian suffrage campaigns between 1880-1914
the key to addressing the challenges of the twenty-first century
temporal and cultural differences
